静物之美 妙不可言~美国女画家塞西莉亚·考克斯油画作品赏析
2021-12-01
Cecelia Cox
塞西莉亚·考克斯
美国女画家
··································································································································· ···································································································
··································································································································· ············································································································
··································································································································· ············································································································
作为一名油画家，Cecelia Cox探索了广泛的题材。然而，她最出名的还是她的静物画。她能够在静物画中建立一种迷人的档次和精致感——即使是在最简单的安排下工作。
··································································································································· ···········································································································
··································································································································· ···········································································································
Cecelia Cox被宁静的作品所吸引，探索了色彩和纹理的和谐，以及自然世界和人造世界的并置。 她从生活中创作，在油画中使用古典技巧分层发展她的画作，她的布景被北面光的微妙之美照亮。 她还喜欢画较小的花卉研究alla prima（一次完成）。
··································································································································· ··············································································································
··································································································································· ···············································································································
塞西莉亚·考克斯（Cecelia Cox），美国女画家，美国女性艺术家协会和美国油画家协会的签名会员。 她曾在亚特兰大艺术学院 (Atlanta College of art) 短暂学习艺术，但发现该学院强调的是商业和概念艺术。她在布鲁塞尔住了一年，参观了许多欧洲主要的博物馆，这对她成为一名艺术家的成长产生了更大的影响。她通过与许多著名艺术家的讲习班和课程继续学习艺术。多年来，她参加了在查塔努加的田纳西大学举行的人物画公开课。
··································································································································· ···············································································································
··································································································································· ·········································································································
··································································································································· ··········································································································
2006年搬到北卡罗来纳州的格林斯伯勒后，她很幸运地被邀请加入一个由当地艺术家组成的天才小组，他们定期在斯科特·伯迪克和苏珊·里昂的工作室见面，以人物为主题作画。她还参加了当地的户外活动，每周与皮埃蒙特户外画家协会一起作画。2010年与雪莉·麦格劳(Sherri McGraw)合作的一个工作室启发她专注于静物，在北面光线下精心安排的物体的宁静，现在影响着她的绘画。
··································································································································· ·····································································································
··································································································································· ············································································································